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Human Response PDF Print E-mail
Written by lafrance   
Sunday, 16 March 2008
Human Response
Immortal

Total time: 58:51
Release date: 2/9/2008

Location of artist: CA, USA

This artist has 2 other albums

m3u audio streams (if the flash player above doesn't work for you):
[hifi lofi] Play all tracks as an m3u audio stream (or xspf, ogg)
[hifi lofi] 01-alien eyes (3:24)
[hifi lofi] 02-emergency (4:03)
[hifi lofi] 03-last wish (3:46)
[hifi lofi] 04-betrayed (3:41)
[hifi lofi] 05-danger zone (5:20)
[hifi lofi] 06-hapless (5:15)
[hifi lofi] 07-crosstalk (3:43)
[hifi lofi] 08-brain damage (5:02)
[hifi lofi] 09-the last night of summer (5:04)
[hifi lofi] 10-stay (5:00)
[hifi lofi] 11-you don't know me (5:56)
[hifi lofi] 12-destiny (3:43)
[hifi lofi] 13-immortal (4:54)

 
Human Response: Melodic Electronica.

- Delirious play hifi lofilicenseBUY
- Immortal play hifi lofilicenseBUY
- Survival play hifi lofilicenseBUY

artist photo Human Response is the electronica side of Jan Hanford.

She is a classically trained musician in piano and composition but is as passionate about electronica and its various subgenres as she is about J.S. Bach.

She creates electronic music with layers of melodic and rhythmic interaction. Her extensive use of the minimoog gives her music a vintage analog sound which she continued when her music evolved using digital samplers and sequencing.

Delirious

In the mid-1980's samplers became commonplace and in the early 1990's excellent, powerful sampling keyboards became affordable. Having spent so many years recording with a limited studio and multi-track tape, I found the sounds offered by keyboard samplers and the ease and power of sequencing irresistible.

After a few early projects (which I may release in the future) I ultimately created "Vespers" which later became "Delirious." It actually contains a lot of sampled minimoog; my love of analog is very much alive.

The Analog Archives:

Before samplers, before midi, before sequencing; it was me, my minimoog and my Teac 4-track. Every note had to be performed live, every melody line played and overdubbed from beginning to end. There was no digital editing, no computers, no copy and paste. Difficult? Sure was, but I loved every minute of it. The equipment I used at the time was:

  • Minimoog Model D
  • Crumar Performer
  • Wurlitzer Electronic Piano Model 200
  • Roland RE-201 Space Echo
  • Mu-tron Phasor II
  • MXR Flanger
  • Casiotone MT-45
  • Casio VL-1
  • Casio SK-1
  • Teac 4-track A3440
  • Teac 4-track A2340-SX
I started creating electronic music in 1978 when I bought a minimoog and then added to the studio a few pieces at a time. I still own the above except the Crumar, Casios and Wurlitzer.

Every musician has huge reservations about letting the world hear anything they've done that isn't perfect. I decided that I love this music too much not to let it be heard, flaws and all. I had considered the possiblity of reperforming and rerecording these pieces but the new digital synths and effects just don't have the richness and warmth of the moog, analog echo and, frankly, tape.

I'm currently transferring the original tapes to computer and will release the complete albums over the next few years.

I hope you enjoy listening to this music as much as I enjoyed creating it.

 

 
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Music video from magnatune.com
  • Jan Hanford: solo piano.
  • Classically trained in piano and composition, Jan Hanford enjoys many styles of music but her first love is the piano.

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